Blade Runner 2049

October 9, 2017 at 10:03 am | Posted in 2017 | Leave a comment
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There’s a reason Spielberg never made a sequel to “E.T.”  There is just so much at risk when you follow up a beloved film, especially as time passes and that film becomes a classic. There are so many more ways to go wrong than to go right. That is the risk Ridley Scott ran when returning to the “Blade Runner” well. Yet, with the help of the original screenwriter (Hampton Fancher), he manages to pull it off. Scott turned over the directing reigns to  Denis Villeneuve, who is skilled at making both psychologically explosive films (“Incendies,” “Prisoners”) and pensive sci-fi (“Arrival). Villeneuve managed to successfully recreate and add to Scott’s world. This film is stunning in every single scene. From the deeply crowded LA streets to the vast desert wastelands of San Diego and Vegas, everything was a joy to watch. Each detail in the background was so carefully and cleverly constructed. Of equal importance to recreating this world, was recreating the mood of the first film. Ryan Gosling was perfectly cast, matching the world-weary cynical tone that Harrison Ford’s Deckard had. The story is somber and pensive. It could be accused of being a bit slow in part, particularly for viewers who expect high doses of “The Fast & The Furious” in their modern sci fi. But this is not an action film. Deeper themes are being explore here. When are we sentient? What makes us alive? Is it our feelings? Our empathy for others? Our memories and our connection to the past? There is rich stuff getting explored in some very clever ways. We know from the start that Gosling’s K is a replicant. Just like Deckard was in love with a replicant in the first film, K is in love with a hologram, now removing the question of life one-step further out. The complexities of this question are played out beautifully when a giant 3D billboard version of that same hologram talks to him late in the film. It calls him “joe” in a generic way, calling into question the name “Joe” that his girlfriend-hologram gave him earlier. That is brilliant and heady stuff. Much has been said and debated about the various endings to the original film. This one seems to fit with several of those endings (maybe even all of them). The story could have gone in a very obvious, cliché direction. I was sure it was going to and I am so pleased that I was wrong. If there is anything I regret about this film is that there was no Roy Batty (Rutger Hauer) character. There was no one nearly as menacing, nor as poetic. Jared Let0’s Niander Wallace comes close. Leto steals every scene he is in (as he does in most of his films) but there are just far too few scenes with him. I would have liked much more of him, which is admittedly difficult in a film that is already creeping towards 3 hours. But, I never felt bored. Not for one minute during that entire time did I wish I were anywhere else. And that may be the best review I can give.

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Alien: Covenant

May 21, 2017 at 7:42 pm | Posted in 2017 | Leave a comment
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The genius’s curse. A filmmaker redefines the industry with a groundbreaking film. The second in the series is as good as, or better than, the first. And then it all goes down hill… And we end up with “The Godfather, Part III,” ewoks and Jar Jar Binks, and now “Prometheus” and “Covenant.” In fact, it seems that Ridley Scott has fallen into the same trap that George Lucas did– the need to over explain, and therefore over complicate. Everything was fine when the Force was just the Force and evil aliens wreaked havoc on unsuspecting crew members. But now we have midichlorians and an unbelievably complicated backstory about how humans and the aliens came into being. It is all so ponderous and complex that it cannot help but slow the story down. When this film is focused on the aliens, it works. Scott has faithfully captured HR Giger’s imagery beautifully. We spin through disorientingly similar passageways on spaceships and in dead alien cities. There are some great scary moments and several good jumps to be had, just not nearly enough of them. These scenes, which helped to make the first movies such classics, are painfully few and far between. The rest of the time, we get Michael Fassbender talking to himself about life, morality and who cares what else. Too much of this film was tedious and sometimes baffling. There was an air of weightyness that hung over the whole story, as though Scott has something important he wants to say. Unfortunately, that becomes the focus of the film. The audience would have been better served had he simply made another really good horror film. It seems that, as soon as a director understands that they have created something important, they shouldn’t be allowed to keep working on it. The line between importance and self-importance seems to be an awfully thin one that is just too easy to cross.

The Martian

October 4, 2015 at 7:14 pm | Posted in 2015 | Leave a comment
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It’s always a tricky proposition to see a movie of a book I loved. “The Martian” may well be my favorite novel from the last year and part of it’s fun lay in how wonkish, nerdy and detail-oriented it was. How would that translate to a film? Not so badly, actually. Ridley Scott manages to get in just enough of the scientific details that the audience gets the sense this is sci-fi very much grounded in the real world. Scott is also able to capture the smart-ass humor of the book, which is critical as it helps with pacing but also because it helps to establish the personality that Mark Watney (Matt Damon) needs in order to survive an impossible situation and none seems more impossible than this. Accidentally left for dead on a Mars mission, Watney has to find some way to survive by himself, with no food or water on a desert planet, until the next mission returns in 4 years. That the story can do this credibly is a tribute to author Andy Weir, who did extensive research while writing the novel. Watney’s story is juxtaposed nicely with those of his former crew, now flying home to Earth, and the folks at NASA trying to figure out how to rescue him. This device helps to break up Damon’s screen time, so that the audience never gets bored of just seeing him. There is also plenty of drama as things consistently and disastrously (and realistically) go wrong. One key dramatic scene was cut from the film but, at 2 hours 20 minutes, there was plenty of drama already and it did not suffer from the deletion. This is a sci-fi film for those who don’t like the genre and it’s an action/adventure film for anyone who does like that genre. Clever, fast paced and funny; The Martian was pure entertainment.

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